LOS ANGELES, CA - Opening on Columbus Day weekend, this dynamic group show of fifteen emerging, established and legendary Los Angeles-based artists explores the impact of colonialism from Europe to Africa, Asia and the Americas.
HARRY GAMBOA JR.
RAUL PAULINO BALTAZAR
ROGER GUENVEUR SMITH (live performance)
STEVEN J. BROOKS
Show Dates: October 8 - November 19, 2011
Gallery Hours: Tue - Sat, 12:00 pm - 5:00 pm
Location:THE WILLIAM GRANT STILL ARTS CENTER
2520 West View Street, Los Angeles, CA 90016 (near Adams & LaBrea)
OPENING RECEPTION features live performance at 4:00 pm by award-winning and critically acclaimed actor/writer/director ROGER GUENVEUR SMITH(left), performing “Christopher Columbus 1992,” and live music by jazz musicianMARCUS MILLER (right) and his FREEDOM JAZZ MOVEMENT, including jazz musicians KAMASI WASHINGTON on Sax and LEON MOBLEY on percussion.
EXHIBIT DISCRIPTION - The exhibit includes Asco co-founder HARRY GAMBOA JR.'savant garde video “Fire Ants for Nothing,” where a man (text and performance by RUBEN GUEVARA) tries without success to affirm that he is not an ant, before extinguishing himself.
Chicana artist BARBARA CARRASCO offers her comic strip interpretation of colonialism via ”Undiscover 500 Years (Columbus 1492-1992),” while 3D glasses are available to view the sarcastic cartoonish commentary of half Native American/half African-American artist STEVEN J. BROOKS on the conqueror’s coiffeur via the artist's Conkaline’s Glam-O-Rama. Contrastingly, the African American collective psyche opposed to assimilation as expressed through natural hair styles is vividly explored in the sculpture, "Throne," by LAVIALLE CAMPBELL, the great-granddaughter of a slave who came to the New World from Africa through the Middle Passage. WILLIE MIDDLEBROOK reveals the impact of colonialism on his slave ancestors through his digital photographic collages.
New Orleans native MARK BROYARD takes us back to Katrina in his assemblage series which he composed of objects found in the wake of the hurricane, while JOHN OUTTERBRIDGE ink drawings of the Watts Towers evoke memory of when the City of Los Angeles attempted to demolish the vernacular assemblage architecture built by Italian immigrant Simon Rodia.
Tel Aviv-born DORIT CYPIS uncovers a “self-knowledge that better recognizes otherness within” through a very personal conceptualization of colonialism in her native Palestine, while XILOMEN RIOSexplores her Jewish-Latino identity through collage.
Zimbabwe native RAKSHA PAREKH uses sugar and cotton to conceptualize the historical impact of those trade industries upon her native Africa and her East Indian ancestors, while Cuban native LILI BERNARD flips Eugene Delacroix’s Liberty Leading the People painting to tell the true story of a Cuban slave revolt lead by the African slave woman, Carlota, of the Triumvirato sugar plantation. ZEAL HARRIS tells the story of the Congolese woman, Kimpa Vita, who lead a peaceful rebellion on the continent of Africa, when she attempted to Africanize and reform Catholicism, around 1704 AD.
Finally, Chicano artist RAUL PAULINO BALTAZAR offers a photographic contemporary reenactment of the Mexican Revolution while first-generation American-born-Mexican artist STEPHANIE MERCADO uses maps, real-estate, ships and classical European high-fashion to explore the affects of colonialism from a historical perspective.
SELECTED ARTISTS: To visit the artists' work online, please click on their images below.